10 tips and tricks for doing beauty retouching with Lightroom 

The following is a guest post written by Jane Grates.

Jane manages Sleeklens.com which specializes in Lightroom workflows and Photoshop. You can connect with them on facebook, twitter orYoutube. When she is not busy managing Sleeklens, you can find her traveling around the world or enjoying long walks in nature.


 

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With the demands of creating quality post-production work professionally, beauty retouching is no longer a basic task that anybody can do and end up with a successful product. There are certain little-known rules that make beauty retouching an entirely new category within the world of professional photography. Through this guide, we are going to review 10 essential tips and tricks that will take beauty retouching in Lightroom to the next level!

The adjustment brush tool is going to become your best friend

When we edit pictures inside Lightroom, we are very familiar with the usage of presets in order to achieve quick results without too many problems, but what about the brushes offered by many professional designers these days? Brushes are for local adjustments that can be performed regardless of the topic of the picture. You have full control over them, and if you happen to work with brush presets, you can even control the intensity of the adjustment used.

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Inside your resources library, you should keep a good set of Lightroom brushes to use for different kinds of retouching:

  • Hair
  • Eyes
  • Improving skin
  • Softening skin

…and much more. In general, you will not regret taking the time to produce those brushes, as they will come in handy in your workflow on countless occasions.

Split your task into areas

It is best to define areas narrowly, so you can work on each one specifically, rather than sticking to just one brush and adapting it as you change your target. Define areas on the skin as you work on producing the adjustments needed, and you will end up with a better quality result.

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Areas, such as under the eyes, above the lips, or even a receding hairline require special attention, since you are not just softening for a professional result, but also wanting to keep detail, otherwise your subject won’t look realistic.

Always enhance eyes

As the phrase says, “the eyes are the windows to the soul”, which is a very true statement. There is no better image of sensuality than a close-up picture of a model with stunning eyes, carefully applied makeup, and combined with a short but powerful phrase defining the product you want to sell.

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In order to get results like this, you need to mask the eyes with the Lightroom adjustment brush and adjust Exposure, Clarity and Contrast as your first attempt to create a quality result.

You can also enhance the tint of eyes by using HSL parameters, although you shouldn’t overdo this adjustment, or the result won’t look realistic.

Whiten teeth

For that “Colgate smile” result, the very first thing you need to do is to fix discolored teeth, but how can do you go about making this adjustment?

First, determine if your subject is suffering from either yellow or gray teeth. In either case, the adjustment is going to be similar.

If the subject suffers from yellow toned teeth, you need to reduce the yellow tint and increase blue values, and if the subject’s teeth look gray, you have to increase the yellow tint slightly at the Temp Slider inside the Adjustment brush tool.

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Other values you will likely have to compensate are Saturation, Contrast, Highlights, and Shadows. Exposure is optional, and you should avoid using Clarity, as you will bring too much attention to the teeth.

Work with tiny brush sizes and use some feather value, although not too much, otherwise you are likely to mask areas like the lips.

Sensual lips

Especially in outdoor pictures, it is absolutely necessary to emphasize the lips of your subject, otherwise the whitened teeth, you already applied are going to look unprofessional to say the least.

To give your subject a really nice-looking rose lips effect, you have to apply a warm up setup with the Adjustment Brush tool, while also reducing parameters such as Clarity and Contrast. You want the lips to be soft and sensual, but you’re not trying to increase the amount of detail on them. Increase saturation as well.

05_tip_beautyAgain, you will have to work with a variety of brush sizes as lips have a lot of detail, and please avoid using the same brush inside the mouth. If you want to give a bit more color to gums, create another brush instead. This, however, is not a very common adjustment.

Use sharpening in areas that require it

Things like eyelashes and certain skin areas also require special attention from you in order to boost their appearance. In those cases, use the Adjustment Brush to mask all the areas needed.

06_tip_beautyGeneral use of the sharpening tool or Clarity-based presets should be reserved for images with focus problems.

Always keep in mind that you won’t be able to add detail that doesn’t exist to the picture, so Sharpening will work only until a certain point… and from there on, all you’re going to add to the image is an unnecessary amount of noise.

Need to perform a quick sun tan? Use Clarity

Even if it sounds hard to believe, the Clarity slider is quite capable of simulating an intense sun tan effect without looking too orange in the process. This is because it not only enhances detail in images, but it tends to increase the amount of pigment in certain hues, while keeping the saturation under control.

Of course, you don’t want to overuse this slider, or the image will look like a HDR rather than a beauty retouching, but also keep in mind that this will bring detail, so it will reverse the skin softening effect.07_tip_beauty

Fixing under-eye bags

For hiding those annoying under-eye shadows we might encounter during portrait photography, we can simply correct it by using the Spot Removal tool and sampling a soft, bright area like the forehead. Remember to sample large areas rather than tiny spots, going over the area you need to correct evenly in order to blend in the sampled texture applied to the area.

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Hiding unwanted elements

When shooting the picture, there are times where we overlook unwanted details, such as sections of wires, scratches, tree bark, etc. that may look distracting in certain areas of our image. Without having to use Photoshop, we can fix these elements by using the Spot Removal tool in Clone mode.

All you need to do is sampling an area with tint fairly similar to the area we want to mask. Bring Opacity to 100% in order to completely hide the element or reduce it to around 80%, if you want the object to blend in with the cloned texture.

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Use presets to create mystic effects

Presets can be incredibly useful in beauty photography, as they allow us to perform many levels of retouching with just one simple step – just one click. Be sure you choose quality presets meant for portrait retouching, as presets covering other topics won’t improve your image to a high standard (unless your intent is to apply special effects to your image, in which case you can use Cyanotype or Cross Processing presets).

Quickly turn your image from a colorful shot to a stunning Black and White image. In just seconds, you can have up to 2-4 possible variations of your images, as long as you happen to work with the right resources.

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As you can see, Lightroom provides everything needed in order to apply professional retouching to our images, all without requiring extra software like Adobe Photoshop or something similar. Keep practicing in order to improve your skills, and soon you will realize that most retouching will take mere seconds, because you will develop the skill to spot problem areas on your image off-hand. In general, the idea is to have as much fun while doing the post-production work, as you do while taking pictures.

Good luck and keep editing!

The Sh*t Sandwich, and Other Tips to Giving Feedback that Doesn’t Suck

Feedback is a key ingredient to growth.

Or, as the author of the One Minute Manager, Ken Blanchard puts it – “Feedback is the breakfast of champions.” (Yeah – I thought it was Wheaties too.)

When I was a member of Toastmasters I found out that it's not just feedback that's needed for self-growth – but good feedback.

So let's look at a few ways to give good feedback and why it works.

Listen with Intent

When you know you're going to be giving someone feedback, you need to tune your mind and your attention into a deep focus. You need to pay attention to details. For as you'll see in a moment, details are important.

Obviously sometimes the feedback isn't for something like a speech…perhaps someone has asked you to give your thoughts on a photo, or a website. In that case, you still need to crank up your focus.

Edit Your Feedback

When someone sends me their SmugMug website and asks me for my thoughts – I don't just write a bunch of bullets in an email and press “send”. I do write a bunch of bullets – things that I like and things that I would like to see improved -but before I send the email, I will be very selective of what things I want to say in my evaluation. This way, I can make sure I incorporate the rest of the points in this post.

For example, I will edit my feedback so it motivates and encourages…

Motivate and Encourage

In Toastmasters, we acknowledge that much of the fear of public speaking is the idea that our audience will judge us harshly. That we'll be boo'ed off the podium.  The same can be true with our fears to put any of our work out into the world – our travel photographs, our new business idea, or our blog posts.

So a good evaluator will recognize this fear and will structure the feedback and use words that motivate and encourage the speaker (or the creator) to continue to give speeches, take photos, write, etc.

The best way that I know to give feedback that motivates and encourages is to use the Sh*t Sandwich technique.

The Sh*t Sandwich

So lets say you're evaluating a photo someone wants critiqued in a forum. You jot down 6 things you see that could be improved on – and 4 things that you liked about the image.

By using the Sh*t Sandwich technique – you lead off your evaluation with something positive and you finish the evaluation with something positive. This helps the person receiving the feedback to feel unthreatened and motivated to improve.

What do you put in-between the positive beginning and end? That's right – the sh*t. The “negative” stuff. The “room for improvement” information.

For example, here's a tiny sh*t sandwich for evaluating a speech:

  • I really enjoyed the pace of your speech. You were easy to listen to and I heard every word. (something positive)
  • You decided to read your speech from your notes. I think that's fine, but I wish you could have given me and the audience more eye-contact. Perhaps you could practice your speech a bit more and try not to use the notes as much. (room for improvement)
  • You were really funny. I loved the joke you made at then end – that even cracked you up. It was a perfect ending to a wonderful speech. Well done! (something positive)

There you have it – the Sh*t Sandwich.

Give Your Opinion

You'll notice in the example above that I spoke from my own experience of the speech. When I am giving an evaluation – it's just my opinion. I don't speak on behalf of the entire audience. It's important that the person requesting feedback understands that.

Be Specific

Now that I've given and received dozens of well-crafted evaluations through Toastmasters, I cringe when I hear someone say “It's good” when someone else requests feedback.

“It's good.” tells me nothing – except you either didn't pay attention, don't care, or don't know how to give good feedback.

If an employee asks for an evaluation, get specific.

If a friend wants you to read a resume or cover page, do them a favour and get specific.

Don't Criticize

Criticism is a relationship killer. If you're asked to give your opinion or feedback, realize that someone is putting themselves out there. And there is great responsibility to be respectful of that person and their work.

Words can lift people up, or they can bring them down. Choose your words carefully.

Your Turn

Do you have a photo, a website, a blog post, or a business idea you'd like to receive some feedback on?

Leave a comment below – add a link to your “thing” (if you have one) – and I'll give you some feedback that hopefully motivates, encourages, and helps you grow.

Is This Blog for You?

OK, I'm going to lay it out there.  I'm going to draw the line in the sand.

I'm going to reveal exactly who I am making WeddingPhotographyGig.com for.

Are you:

  • Passionate about photography?
  • Geeky about lenses, lighting, composition, ISO, tripods, flashes, aperture priority, and the like?
  • Energized when someone says they adore your photos?
  • The person that your friends and family turn to for camera advice?
  • Scheming of ways to make money with your expensive (but so much fun!) hobby?
  • Thinking of shooting your first wedding but still full of fear and doubts about taking on that kind of responsibility?
  • Looking for some good information and tools to help take that next step and become a successful wedding photographer? [Read more…]

Who am I and What’s This Site All About Anyway?

Hey there.  Welcome to WeddingPhotographyGig.com. My name is Ryan Oakley and I'm the guy behind this website.

Its kinda funny. You got here with the blink of an eye (or the click of a mouse). But for me, it's taken many many years to finally write this, my first blog post on something I'm absolutely passionate about. Many many mouse clicks.

Despite the crazy numbers of blogs out there today (are we in the gazillions yet?), in my experience setting up and managing a GOOD blog is not easy. So it has taken me years to get to this point where I'm actually writing my first blog post and jumping into this blogging thing.

Why did it take me so long? Well, I wanted my blog to be one of the good ones. And for that to happen, I needed to find a topic that would fulfil these two primary blogging goals: [Read more…]